The rising producer-driven outfit and animation studio Krutart takes an agile approach to audiovisual storytelling. Focusing on adventurous edutainment with an eye to niche-to-global scaling, the studio has managed to [...]
Robert Lence is behind films as different as Beauty and the Beast, Shrek and Toy Story. During his career, he’s worked in the art departments of Disney, Dreamworks and Pixar [...]
The tutor of this year's CEE Animation Forum in Třeboň also included Philip LaZebnik, screenwriter of Hollywood blockbusters such as Pocahontas, Mulan and The Prince of Egypt. He is also [...]
Harvie and the Magic Museum has been an undeniable marketing success for Martin Kotík. How did he manage to keep such a big project together? What limitations did he find [...]
Manuela Lumb has been working as a producer for children and family TV channels for many years. During her prolific career, she has gained broad experience in fundraising and brand-management [...]
The producer of the film “Richard the Stork” Kristine Knudsen was among the speakers at the international co-production workshop organised by the Association of Czech Animation Film in Prague from [...]
Olivier Noman kindly shared his co-production experiences during seminar of co-production in animation industry in Prague (Czech Republic), organized by the Association of Czech Animated Film (ASAF).He is freelance consultant in business [...]
One of the busiest guests of this year's Visegrad Animation Forum in Třeboň (CZ) was Sabine Minniti, Team Leader of the TV Programming, Audience and Innovative Approaches sector for MEDIA [...]
More than a thousand guests watched the ceremony of the first year of the Emile European Animation Awards in Lille, France on the 8th of December 2017. This extraordinary event [...]
Interview with Mike Reiss, the screenwriter of animated series The Simpsons (1989 - 1993), The Critic (1994-1995), Queer Duck (2002-2004) and the features The Simpsons Movie (2007), Ice Age 3 - [...]