Grown-up Czech animation for grown-up audiences
Acclaimed director Michaela Pavlátová is currently working on a feature-length animated film for adults, My Sunny Maad, produced by Petr Oukropec and Kateřina Černá, of the production company Negativ. Article by Eliška Děcká for Czech Film Magazine / Fall 2019 The story of My Sunny Maad is based on the critically well-received and popular book Freshta (2012, Stork Press, UK) by Petra Procházková, a Czech investigative and war reporter with a wealth of personal experience of the realities of Afghanistan and everyday family life there. At the center of her novel Procházková set the partly autobiographical character of Herra, a foreigner who comes to Afghanistan to live with her beloved husband and his family. The original screenplay was adapted from Procházková’s book by Ivan Arsenjev. However, a variety of production problems, not least among them the impossibility of shooting in contemporary Afghanistan, meant that the production company, which has enjoyed a long and fruitful partnership with Pavlátová, from the feature films Faithless Games (2003) and Night Owls (2008) to animated short Tramvaj (2012, winner of the Annecy festival the same year) began to think in terms of a feature-length animated production. At the time, Negativ had only one feature […] ...
ANIFILM 2020 – SUBMIT YOUR ANIMATION NOW
Next edition of Anifilm taking place in Czech Republic May 5–10, 2020 opens right now submissions for your animated films, music and abstract videos or computer games! Now you can submit VR films as well! If you have not competed in Anifilm previous edition, do not hesitate to submit your work finished after January 1, 2019. Feel free to choose one of the following categories of international competition and/or national contest Czech Horizon: Feature Film Short Film Student Film Music Video Abstract and Non-narrative Animation VR Film Independent Computer Games Czech Horizon Short films / Student films / TV / On-line Film and Series / Music Video / Commissioned Work Please register your film by filling in the online form at vp.eventival.eu/anifilm/2020/. If you have not submitted any work before your first step will be registration. We would be honoured by accepting your application. You can complete it by January 5, 2020 when deadline for submissions is set. There is no fee for applicants. For more information about the festival, festival statutes and competition rules please check out the festival’s official website at www.anifilm.cz. Please do not hesitate to contact the organizers at any time on program@anifilm.cz. ...
Canary Islands Film: “We are animation” Inspiration for an Animation Cluster
On 26th February 2019 the Association of Czech Animation Film (ASAF) organised a meeting with representatives of an animation cluster from the Canary Islands at the Spanish Embassy in Prague. “Tourists are the main source of income for our economy. However, the government realises the need to diversify the economy and offer a perspective of interesting application to young people too, so in 2015 it decided to focus on the animation industry. This sector has a future. In addition, it is an environmentally friendly industry, which is important for our little paradise on earth here, ” as Natascha Mora explains the motivation behind establishment of Canary Islands Film. The organisation is established and run by government agencies represented by Natacha Mora (Government of the Canary Islands, Culture Sector), Pila Moreno (PROEXCA agency for the internationalisation of the Canary Islands and attracting strategic investments) and Sabita Jagtani (Canaria ZEC agency promoting investment within the Canary Islands tax zone). The main objective of the Canary Islands Film is to create favourable conditions for animation production, e.g. through film incentives in the amount of 40% to support the outsourcing of local studios or tax advantages for setting up new companies or subsidiaries. As […] ...
Czech Producers Visiting Animation Media Cluster Region Stuttgart
In connection with the Association of Czech Animation Film’s long-term strategic focus on increasing the competitiveness of Czech animation and the economic performance of individual subjects, an excursion to the Animation Media Cluster Region in Stuttgart, Germany, took place at the end of last year. Stuttgart is one of the most industrialised areas in Europe. Thanks to Mercedes and Porsche car manufacturers, many tens of thousands of people work in the automotive industry and employment in the area is predominantly dependent on this industrial commodity. The government of the German state of Baden-Württemberg is therefore trying to develop other industries too and, similarly to economists in places like South Korea, are turning their attention to the “leisure economy”: the development and production of audiovisual works, especially animation and digital postproduction. Representatives of the creative industry in cooperation with the public sector (government of Baden-Württemberg) aim to set up a cluster of companies that will offer high-quality animation and visual effects services to clients from all over the world. The idea to visit the cluster in Stuttgart (AMCRS) stemmed from a growing need to bring new impulses and trends to animation in the Czech Republic, particularly from developed markets. As the […] ...
“Of Unwanted Things and People” is the winner of the Eurimages Co-production Development Award at Cartoon Movie
The project “Of Unwanted Things and People” by David Súkup, Ivana Laučíková, Leon Vidmar & Agata Gorządek and co-produced by Maur Film (Czech Republic), Artichoke (Slovakia), ZVVIKS (Slovenia) & WJTeam/Likaon (Poland) was awarded the Eurimages Co-production Development Award at the Cartoon Movie (Bordeaux, France) on 7th March 2019. The story of two orphans and a magical cat is a modern, short puppet film set in the present day, based on Arnošt Goldflam’s book Of Unwanted Things and People. The four-country coproduction won the first animated feature film pitching award at the CEE Animation Forum 2018 (formerly Visegrad Animation Forum). The success of this project was confirmed by receiving Nespresso Audience Award. The Council of Europe’s Eurimages Fund has joined forces with ten co-production markets all over the world – and Cartoon Movie is one of them once again this year – in order to award the Eurimages Co-production Development Award. This cash-prize of €20,000 has been created to promote the Fund’s role in encouraging international animated co-production from the initial stages of a project. The project has to be designed from the outset as an international co-production for cinema release and initiated by a lead producer based in a Eurimages country willing to […] ...
What’s on the Menu for Czech Animation in 2019
The year 2018 did not yield any box office hit in the field of Czech animation, yet festival showings and achievements abroad imply that our creators are not resting on their laurels. There are a number of interesting feature films, series, and TV bedtime-story animations in development or production. They will also include this year’s anniversary of the fall of the Berlin Wall, the 50th birthday of Lucky Four or one hundred years since the death of historical Czech figure Rastislav Štefánik. And How Did Czech Animated Production Do Last Year? Four feature films by Czech filmmakers came to cinemas. One of them made it among the top 50 most visited: Pat & Mat: Winter Adventure, directed by Marek Beneš, attracted nearly 88,000 viewers, while the American animated Hotel Transylvania 3: Monster Vacation brought in nearly half a million. The highly anticipated and latest film by Jan Švankmajer Insects was released after seven years of production and nominated for the Film Critics’ Awards. In December, cinema-goers had a chance to see the Christmas story of Mimi & Lisa: Christmas Lights Mystery (directed by Ivana Šebestová and Katarína Kerekesová). Famous personalities such as Dagmar Pecková, Arnošt Goldflam, Linda Rybová or David Prachař supported its creation […] ...
First Edition of CEE Animation Workshop Brings Together Renowned Names in Script and Promising CEE Filmmakers
The first module of the year-long CEE Animation Workshop will take place from November 30th to December 6th in Ljubljana and will focus on content development. Invited tutors who will guide the participants are two experienced script advisors Rita Domonyi and Phil Parker. The group sessions will be led by Ewa Puszczyńska and Ole Wendorff-Østergaard. The workshop will bring together 12 animated projects, including 4 feature films, 4 series, 4 short films, and 5 participants without project. MEET THE SESSION EXPERTS Two SCRIPT CONSULTANTS will work individually or in group sessions with the project teams, helping them to formulate the voice of their story in the best possible way in terms of dramatic structure, genre and story arc. Rita Domonyi started her carrier in animation at Varga Studio, where she became the Creative Development manager of the company. She is also the teacher of Moholy-Nagy University of Art and Design, and gives script editing lectures on the Faculty of Animation Studies. Screenwriter and creative producer Phil Parker has developed original content in over twenty countries demonstrating there is a global capacity for new concepts. His clients have included Aardman Animation (the Oscar winning Wallace and Gromit – Curse of the […] ...
CASE STUDY: “Richard the Stork”. Background of a successful European co-production.
The producer of the film “Richard the Stork” Kristine Knudsen was among the speakers at the international co-production workshop organised by the Association of Czech Animation Film in Prague from 25th October to 26th October 2018. A colourful co-production of four European countries (Germany, Belgium, Norway, and Luxembourg) was screened last summer in the Czech distribution of Bontonfilm. The creators have devised an adventurous story of an orphan sparrow that grows up in a family of storks, who the sparrow decides to follow on their long journey to Africa. The film was sold to 155 countries and seen by over 3.6 million viewers. Kristine Knudsen, who in her own words devoted 9 years of her life to the film, told the audience – consisting mainly of professional producers – what was behind its success and what the criteria and pitfalls of European distribution are. CRITERIA OF SUCCESS AND CHALLENGES FROM DEVELOPMENT TO DISTRIBUTION Can you define the biggest challenge of the project? Right from the very beginning it was the theme: we came up with an original topic that nobody knew. In addition, Germany is a fairly conservative market. But we were lucky that our script was written from the […] ...
Interview with Olivier Noman about international co-production of animated movies
Olivier Noman kindly shared his co-production experiences during seminar of co-production in animation industry in Prague (Czech Republic), organized by the Association of Czech Animated Film (ASAF).He is freelance consultant in business matters and also working in Studio 100 Animation and we talked about main pillar of co-production. Hi Olivier, could you, please, tell us what does it mean co-production in animation industry? Are there any special rules? What does the co-production bring? Hi Karolina! A distinction can be made between official and non official co-production, depending on potential co-production treaty between countries. A co-production agreement can also refer to the ‘European Convention on Cinematographic Co-Production’. Despite all these frameworks and regulations, there are no real special rules for animation. The specificity of the animation is more commercial than legal. It is a genre which travels more easily than live action or documentaries as you do not face the problems of stars or bankable actors. Meeting the interests of broadcasters or platforms in several countries is obviously a good starting point for a co-production. What co-production can bring to you can really be summarized in one word: partnership. In an ideal world each part of the co-production should bring the competitive advantages of its company […] ...
Visegrad Animation Forum Is Rebranding into CEE Animation and Opens Call for Pitch of Animated Projects
Visegrad Animation Forum (VAF) has been the largest platform for the animation industry in Central and Eastern Europe. Over the course of its six-year existence, it has managed to build a strong base of film professionals and welcome over 150 participants from all over Europe in Třeboň every year. The Central and Eastern European region operates on very similar historical, artistic and economic fundaments. That’s why it is the organisers’ ambition to broaden the platform by including other countries, increase the range of activities, and umbrella all of that under the new CEE Animation brand. CEE Animation Forum – formerly known as VAF Třeboň From 6th to 9th May 2019, a traditional pitching competition of animation projects will be held in three categories: short film, series / TV special or feature film. Selected authors will have a unique opportunity to consult projects with invited experts, get valuable feedback and advice on how to improve their presentation, script, or production strategy. Competition participants can secure a chance to find a co-production partner by presenting it in front of more than one hundred film professionals – including producers, TV programmers, festival directors, distributors, investors or representatives of national film funds. They all come […] ...
